Tyler Nye is a force ... Nye brilliantly expresses two emotions at once, as a patina of mirth tries to tamp down the great fear and uncertainty we sense roiling just beneath the surface. ... As the walls of depression close around his mother, so does the demand for levity ... His list of brilliant things continues to grow and become part of him, a tool for communication, entertainment, and perhaps self preservation.
Tim Rowland
... guided by the Stage Manager, performed warmly and flawlessly by Tyler Nye. He was a charming and kind soul, exuding a sense of ageless wisdom: part stage manager, part minister, part dear family friend.
Shawna Mefferd Kelty, Thornton Wilder Journal
Both men throw themselves so consummately into these rapid-fire roles that one wonders whether they can remember their real identities at the end of the night.
Pamela Polston, Seven Days
charismatic and magical
Robin Caudell, Press-Republican
New York City-based actor Tyler Nye makes his debut as Drosselmeyer with a flair that makes even this Christmas Grinch believe in magic.
Diane Chase, Adirondack Daily Enterprise
For actor Tyler Nye, it’s about the quality of the work …
Steve Lester, Lake Placid News
… drops his words like fireworks …
Diane Chase, Adirondack Family Time
Nye takes the stage by storm …
Diane Chase, Adirondack Family Time
His Watson is unusually three dimensional.
Connie Meng, North Country Public Radio
The unbelievably dynamic duo consists of Tyler Nye and Dominic Sellers, each of them widely experienced Shakespearian actors. […] Their performances are a stand-out in the current Off-Broadway scene.
Ronald Gross, New York Theater Buying Guide
In a show featuring several strong performances, Nye nearly steals the show as TR. His characters all seem possessed by an almost innocent sort of arrogance, and a clear sense of entitlement guides most of his actions. […] His moments as Roosevelt provide some of the funniest parts of the show, and it is amazing that he is able to transform so effectively into Roosevelt by simply putting on a pair of pince-nez glasses and puffing his chest up a bit.
Tom Salitsky, Adirondack Daily Enterprise
Especially fun is Sir Toby’s foppish idiot friend, Sir Andrew Aguecheek. Every production of Twelfth Night has its show stealer, and in this one it’s Tyler Nye’s Sir Andrew, a mincing, comically terrific buffoon afraid of his own shadow. His interactions, not only with Sir Toby and Maria, but also in sparring with Cesario, is [sic] top-notch clowning that’s belly-laugh funny.
JK Clarke, TheaterPizzazz.com
Standout performances from the company include Tyler Nye in the dual roles of Scrooge’s nephew and Fezziwig. With animated facial expressions and vocal delivery he is charmingly comic and effectively dramatic.
Darryl Reilly, TheaterScene.net


RED

Watching Nye (last seen as the priest in Pendragon’s production of Doubt) as Ken is like watching fear dissolve.
Diane Chase, Adirondack Daily Enterprise


RED

This is a strong production of an intense two character bio-drama. […] The two actors both give very good performances. Tyler Nye as Ken can be seen to grow throughout the play, both in maturity and aesthetic sensibility. His story of his parents’ deaths is especially powerful.
Connie Meng, North Country Public Radio
Fran Yardley as Sister Aloysius and Tyler Nye as Father Flynn were nothing less than brilliant …
Helene "Lenny" Golay, Adirondack Daily Enterprise
Nye’s take on de Rougemont’s dog, Bruno, is particularly well-studied and momentarily stopped the show with a round of applause during the production’s opening night …
Jessica Collier, Adirondack Daily Enterprise
Tyler Nye is bright and crisp as Le Chevalier Danceny, hapless on the surface but boiling with capability beneath.
TJ Brearton, The Free George
Tyler Nye is excellent as the Nasty Interesting Man and the Lord of the Underworld, in his Joker-like make-up. Oddly, he gives a believable performance of two unbelievable characters.
Connie Meng, North Country Public Radio
Donna Moschek (as Honey) and Tyler Nye (as Nick) […] have the unenviable task of playing the novice faculty couple in the middle of Martha and George’s death match. Their performances are both strong enough to stand up to the sheer force of the two leads, and they balance each of the scenes with their presence while slowly revealing the darkness that lies in their future together.
Linda Peckel, Albany Public Art Examiner